NZICF 2018: Billy T Jams

Another year, another comedy fest! The well established Billy T Jams kicks off as a precursor to the festival and is also a great opportunity to check out the acts who are in the running for the Billy T award which aims to recognize and support up-and-coming comedians in the local circuit.

This year’s showcase was hosted by former winner Rhys Mathewson who was in fine form with his charmingly self-deprecating style of comedy and sharp wit. It’s really great to see those up for the award were predominantly females which says a lot about the future of New Zealand comedy.

Last year’s Best Newcomer winner and indisputable “long human” Melanie Bracewell kicked the evening off. Her archetypal woes of the single woman were given new light and humor with her quirky yet spot on analogies on usual suspect topics like dating, sex and social media.

Next to take the stage was Alice Snedden with material that was similarly standard fare yet her dry observational humor had some good comic moments. Where she really got into her stride was when sharing stories about her mum who it seems has a penchant for comedy too.

Comedians turned self-proclaimed pop stars Two Hearts (Laura Daniel and Joseph Moore) closed the first half with their irreverent brand of musical satire. Though pairing music and comedy is not new, this boisterous duo easily entertain with their delightfully catchy and facetious tunes about love (the fan girling type) and slutty ghosts.

Donna Brookbanks‘ elaborate introduction which was like a reverse crowd surf was probably a bit overkill but it is very much part of her schtick. Her socially awkward persona couple well with the physical theatre she brings to her performance for an oddly endearing set.

James Malcolm rounds up the cast of this year’s nominees with casual banter about being a gay icon (according to a teenage fan) which he uses as a springboard to crowd test his gaydar and also a rather harrowing tidbit about his over-sharing mother. While he doesn’t bring anything particularly new to the table, his material had good comedic value.

Last year’s winner Angella Dravid closes the show with her unique brand of low key comedic storytelling. There is something really appealing about her trademark nervous disposition and awkward demeanor – you can’t help but be drawn in to her anecdotes.

All in all, it was a good laugh out that has got the laughing muscles itching for more. Bring on the festival!

All these 2018 nominees have solo shows at the upcoming New Zealand International Comedy Festival which kicks off from 26 April for just over 3 weeks. Check out for dates and more info.






A Slightly Isolated Dog: Santa Claus

Don your antlers and put up those festive fairy lights as it’s that time of the year again – the much anticipated annual Christmas show at The Basement Theatre! This year’s edition Santa Claus has all the right ingredients for the perfect end-of-year Christmas treat.

The “very famous and very French” quartet that make up A Slightly Isolated Dog (Hayley Sproull, Jack Buchanan, Andrew Paterson, Susie Berry) are the gracious hosts of the festivities, adorning audience members with tinsel while engaging in pleasant banter. The arena theatre and cabaret style seating work well to further accentuate this communal, merrymaking atmosphere.

The show kicks off in very much the same vein – there is no Fourth Wall or traditional stage with the action taking place and story unfolding all around you. Conversations that took place earlier are auspiciously incorporated into the narrative, shaping it and adding comedic value at opportune moments. Audience members are also regularly called on to get involved in the hysterical high jinks of the evening.

Part sketch comedy, part musical with a whole lot of improv and a generous helping of raucous shenanigans to boot, this is a jam-packed show with many moving parts. As is tradition, each performance has a mystery guest; ours was RadioLIVE broadcaster ‘Moustachio Sex God’ Mark Sainsbury who was a great sport and took it all in his stride.

The improvisational nature of this type of production keeps things unpredictable which makes for quite an exciting experience. What unravels is heavily reliant on audience participation and the special cast member but Sproull, Buchanan, Paterson and Berry never once lose control of the plot and coupled with their sharp wit adeptly manage any hiccups or unexpected turns.

From Christmas gifts with a twist to a hilariously irreverent full-fledged Christmassacre, Santa Claus turns what we know of the silly season and the jolly man in the red suit on its head. For a riotous outing of festive fun and frivolity that promises a rollicking good time, this is the ticket.

Santa Claus will be causing mayhem at the Basement Theatre until 20th December. For more details and to book tickets, click here.


Auckland Philharmonia Orchestra and The Dust Palace: Midnight

For one night only, the APO, who are known for their first-rate, innovative work, team up with The Dust Palace, touted as Auckland’s leading circus theatre company, to bring a magical evening of breathtaking cirque and glorious symphony. When two powerhouses such as these two come together, you just know you’re in for an incredible theatre experience.

Midnight is a delightful and captivating tale that takes place both on the stage and in the air perfectly complemented by a full-size onstage orchestra who deliver a spellbinding score which include notable works from Mendelssohn, Chopin and Tchaikovsky. The audience are taken on a fantastical journey of acrobatic and orchestral proportions with a bit of comedy and mime thrown in for good measure.

The premise takes place in an enchanted land and when the King takes ill, the Queen calls on the Doctor for help and together they go on a quest seeking medicine that will save him. Along the way they come across an array of otherworldly beings like impish forest creatures, floating fairies in hula hoops and formidable stilt-walking spirits who dance, leap, contort and fly in effortless harmony with the melliflous soundtrack.

The troupe of performers who play the cast of characters do so with grace and impressive skill, seamlessly pulling off a stunning repertoire of circus and physical artistry from jaw-dropping contortion to gasp-inducing aerial acrobatics. Credit must be given to Eve Gordon and Mike Edward for the dynamic choreography and superb direction; equally the APO are in top form, operating like a well-oiled machine, with David Kay at the helm.

Midnight brings together New Zealand’s finest cirque performers and orchestral musicians for an extraordinary evening that is a treat for the eyes and ears. This enthralling collaboration is a beautiful celebration of circus and symphony deserving of a full season as put simply it is an experience that needs to be seen far and wide.

To find out when APO will be performing next, click here.

To find out when The Dust Palace will be performing next, click here.

Rollicking Entertainment presents The Dunstan Creek Haunting

Whether you are a believer or a skeptic, there’s something eerie about a ghost story that’s based on real-life events. The Dunstan Creek Haunting explores the spooky happenings that took place in St Bathans, Central Otago (formerly known as Dunstan Creek) during the gold rush era which is reportedly the most haunted region in New Zealand.

Dave and Lizzie are keen paranormal investigators whose appetite for the supernatural lead them to dig deeper into this former mining town with a dark past. They present to us their findings in the form of a series of slides with the main focus of their discourse being the Vulcan Hotel which hosts the town’s most famous ghostly resident, Rose McKendry.

The show’s synopsis and publicity make it no secret that there is more to expect than just visual aids and reenactments, that the performers’ affable disposition and jovial banter is really a red herring to mislead us. Slowly but surely we get a sense there is something sinister lurking underneath the surface; not knowing when and how things are going to unravel is what keeps the audience on edge.

The narrative turns on its head when a chilling presence disrupts the proceedings prompting the space to quite literally come to life through clever staging and well thought out trickery. The timing is pitch perfect  and paced effectively to create an increasingly tense and unsettling atmosphere. There is a very palpable air of dread and foreboding among the audience which Dave and Lizzie skilfully harness and build on until the most heart-pounding, thrilling conclusion.

Part seminar, part séance and full on nerve-wrecking, The Dunstan Creek Haunting is a terrifyingly excellent take on the horror theatre genre. It is brilliantly crafted and thoughtfully designed to be a genuinely harrowing experience that is sure to unnerve even the biggest of cynics.

The Dunstan Creek Haunting is at the Herald Theatre until 31st October. For more details and to book tickets, click here.

Carbolic Productions: The Revue 2017 – Last Call

What happens when you put an army of young working professionals together and allow them to use the stage as their creative outlet? For those not already in the know, The Revue is an annual artistic get-together by Carbolic Productions very akin to popular comedy variety show Saturday Night Live.

Last Call is another jam-packed program featuring a fun and facetious smorgasbord of skits, jokes, videos, live music, dance and even the odd informercial thrown in for good measure. This year’s shindig has been set up to be the ‘best party in town’ and for the most part, they do deliver the goods.

The main over-arching storyline centres around a group of friends at the aftermath of a party which feels much like the premise of Hollywood flick The Hangover. Interspersed between their piecing together the night before and the lineup of short sketches, the audience are also treated to tunes by Revue house band “The Look”.

From hilarious puns and comic one-liners to silent film mimicry and satirical musical numbers, there is a little something for everyone. Particularly enjoyable and impressive was the hip hop performance near the end of act one – judging by the applause that was the clear crowd favorite of the night.

With such a massive cast and the narrative made up of so many varying vignettes there are a lot of moving cogs in this show. It is no surprise then that it requires a band of directors to pull the whole thing together and credit must be given to Shuchi Ghosh, Alysha Jensen and Shawn Moodie for managing to bring such a massive operation to the stage.

There are some solid comedic gems but there were also some misses.  The main plot point didn’t feel altogether necessary while the format of this style of show unavoidably involved a lot of fading in and out and logistical activity which did feel quite distracting. The infectious energy of the cast does somewhat make up for it and the inclusion of the band in the proceedings was definitely a welcome break as well.

The Revue 2017: Last Call is an entertaining albeit mixed bag but with such an eclectic selection on offer, there will be something to tickle everyone’s funny bone. For a night out at the theatre that offers something a little different, give this a go.

Check out Carbolic Productions to find out more about this project and follow them to be in the know about next year’s Revue.



Dark Lake: A Hunted Interactive Experience

Theatre is all about escapism – a good work should transport you, incite emotion and hopefully resonate in your memory. This interactive walkthrough play, likened to an Edgar Allen Poe story, certainly ticks all these boxes.

Dark Lake is a unique, horror-themed theatrical offering where there is no stage or seats and the Fourth Wall between performer and audience member doesn’t exist. Set outdoors at nightfall with staggered start times that only allow for a small group each time, it gives the audience a whole different, thrilling way to experience theatre.

Just as it requires a level of daring to attend this play, it takes guts – and skill – to put on a production like this as in the wrong hands it could teeter towards the style over substance territory. Thankfully the Hunted team are not amateurs in this game and it shows.

A premise like this relies heavily on creating an environment that is not overly orchestrated so it allows the audience to suspend their disbelief and invest in the story. The company have achieved this brilliantly along with building and maintaining a palpable ominous feeling in the air. Familiar ground take on a more sinister quality in the dark and as there is no stage, the parameters of the performance space have been completely redefined. As the story progresses, there is a very real sense of dread and you constantly find yourself looking in all directions in anticipation for what’s next.

What really sets this apart from your standard theatre piece is the interactive aspect. The experience is set up so that you are meant to engage with what’s happening and while you can be as involved as you want to be, you also should be prepared to do what is required to proceed. The narrative evolves organically depending on how you as a group choose to act and react as things unfold which keeps things unpredictable and malleable.

While the characters you encounter on the journey are interesting and disturbing in equal measure, there is room to delve deeper to give this macabre story more depth. Similar can be said about the puzzles peppered along the way – more of these would have upped the stakes and enhanced the narrative. The experience is considerably short so there is definitely potential to push the envelope further and increase the eerie factor that bit more.

Dark Lake is a well crafted, thoroughly unsettling and chillingly atmospheric experience that will have you on edge from start to finish. It is not for everyone but if you can brave it, this is an unforgettable, visceral experience that challenges the boundaries of what theatre could be and where it can go.

Dark Lake is in multiple cities across New Zealand. The exact location is secret and will be emailed to you once you have booked tickets. Most dates are already sold out so get in quick! For dates and more details, click here.

Adrian Bohm Presents: Kevin Bridges

Kevin Bridges is a household name on the international comedy circuit and really needs no introduction especially if you are a fan of UK comedy. This is his New Zealand debut and judging by the fact there was enough demand to put on a second show in Auckland (to his surprise), hopefully this bodes well for Aotearoa to be included in future tours.

After a quick poll it is evident the audience is unsurprisingly largely made up of expats and while Bridges does play to this crowd he does so in a way that doesn’t exclude the rest. His material is well written, bitingly topical and rich with witty observations. From his thoughts on Trump to his amusement at the latest food trend of pulling everything, he garnered laughs effortlessly.

Bridges’ thick Scottish brogue does require a bit of tuning in to initially and he even opens the show acknowledging this, poking fun at commonly not being understood, to hilarious effect. Even with this in mind, his conversational style of stand up means the show is easily enjoyable and accessible.

Bridges takes to the stage with an air of confidence and swag that only comes with someone of his caliber. Even when the energy dips near the tail-end, it doesn’t seem to faze him and with so many laughs already had, the lull is easily shrugged away.

Throughout the show, Bridges engages in quite a bit of banter with the crowd with a select few singled out and getting regular mention which make for a very communal experience. Hecklers beware: he takes no prisoners and though there is a thin layer of arrogance in how he deals with them, it is highly warranted and you can’t help but be impressed.

There is something quite satisfying about going to see an accomplished, really good comedian just work his magic. Kevin Bridges is a seasoned pro that should be on every comedy aficionado’s must-see list.

Kevin Bridges New Zealand tour was short and sweet but hopefully he will be back on our shores again soon enough! To find out where he is performing next, click here.