NZICF 2017: Hall Cruttenden – Straight Outta Cruttenden

There are many comedians in the circuit who use narcissism as their schtick. Hal Cruttenden celebrates his high-strung ways and takes things to a whole new level with his jovial brand of intelligent and unexpectedly insightful observational comedy.

Straight Outta Cruttenden came about when Cruttenden hit his mid-40s and started listening to gangster rap as a means to manage the suppressed anger he has built up from getting older. This is the lure of his show – it delights in skilfully constructed comic twists, keeping you engaged and at the edge of your seat.

The most apparent thing about Cruttenden is his indelible camp persona and he unashamedly revels in it. The physicality he brings to his performance like his gesticulations and hilarious rhyming chants complement the merriment brilliantly. There is also a lot of good-humored banter with the crowd which he weaves in seamlessly, sometimes using it as a segue to another train of thought.

Cruttenden’s material covers a wealth of topics from subtle racism on TV shows to obsessing about the logistics surrounding his death. His Northern Irish wife plays a titular role in the second half (much to her disapproval) and the stories he shares about her ‘Irish-ness’ and married life are highly amusing.

The most gratifying thing about Cruttenden’s work is how it unfolds – his delivery is perfectly paced and impeccably timed. His ability to display perceptiveness amidst the comedy is also impressive, for example his commentary about social media and our obsession with displaying our pain to the world is achingly accurate.

Straight Outta Cruttenden is an expertly crafted, wonderfully neurotic and thoroughly enjoyable hour that packs a comedic punch. Hal Cruttenden is a joyously charismatic entertainer and undeniable seasoned pro – a definite must-see before the festival wraps up for another year.

Hal Cruttenden is performing at The Classic until 20th May (not 14th). For more details and to book tickets, click here.